On Wednesday, 7th August, London Mums Magazine had the privilege of attending a screening of Black Dog at Soho Screening Rooms. This remarkable film has garnered significant attention, being the first Chinese-language film to win an award in the Un Certain Regard category and the only Chinese-language film to receive an accolade at this year’s Cannes Film Festival.
Black Dog presents a compelling narrative set against the backdrop of a crumbling town on the fringes of the Gobi Desert, far removed from the high-tech, modern China that many might expect. The film weaves together multiple themes, starting with its dedication to “all those who seek a new path in life.” Central to the story is the theme of redemption, explored through the lives of two protagonists: the titular black dog, an outcast living on the margins with a vicious bite, and his human counterpart, a recently released ex-convict facing a bleak future. As their paths cross, a heart-warming and equal partnership develops between them, offering a sense of companionship and mutual protection as they grapple with the ghosts of their pasts.
As the narrative unfolds, the film transitions from redemption to reconciliation. The human protagonist seeks to mend his strained relationship with his father, while the black dog reconnects with others from his pack. The story ultimately culminates in a message of hope and rebirth, as the man decides to leave the desolate town in search of a better life, and the dog leaves behind a new generation, symbolising a fresh start for both.
The film’s protagonist is a man of few words, but his silence speaks volumes. As his story is gradually revealed, we come to understand that his stoicism is a survival mechanism, a way to endure the harsh realities of his existence — brutal government edicts, a hostile environment, a grim and decaying township, and violent neighbours. His resilience in the face of these challenges draws the viewer in, evoking empathy and understanding.
Visually, Black Dog is striking, with cinematography that oscillates between sweeping shots of the vast, unforgiving semi-desert landscape, where vehicles are seen flipping over in the fierce winds, and bleak, concrete interiors that reflect the townspeople’s struggle to make ends meet. The stark contrast between the desolate exterior and the claustrophobic interior environments serves to amplify the sense of isolation and despair that permeates the film.
The film’s soundtrack eschews traditional music in favour of the relentless, intrusive blare of the town’s loudspeakers, which broadcast news, directives, and propaganda. This constant auditory presence underscores the oppressive atmosphere and the pervasive control exerted over the lives of the town’s inhabitants.
Despite the grim setting and the heavy themes, Black Dog offers glimpses of love and humanity. Our protagonist finds moments of tenderness amidst the harshness — from a pretty circus performer who remembers him from his previous life, to a fan who still admires him, to the stray dog and his own family. These brief but powerful interactions provide a counterbalance to the film’s otherwise bleak tone.
While Black Dog doesn’t offer much in the way of humour, it serves as a semi-documentary of the hardships faced by certain segments of Chinese society. It stands as a testament to the admirable resilience of those who endure these challenging conditions, highlighting their strength and tenacity.
Overall, Black Dog is a poignant and thought-provoking film that lingers long after the credits roll. Its exploration of redemption, reconciliation, and the enduring human spirit makes it a compelling watch.
London Mums Magazine gives Black Dog a well-deserved 7/10.
The trailer
